Clips, featurette from Journey 2: The Mysterious Island

January 27, 2012 – 6:28 pm | Permalink

Six clips and a new featurette from Journey 2: The Mysterious Island have been released.

17-year-old Sean Anderson receives a coded distress signal from a mysterious island where no island should exist. It’s a place of strange life forms, mountains of gold, deadly volcanoes, and more than one astonishing secret.

The film opens in IMAX 3D theaters February 10, 2012.

Is This The Radio You Used To Send The Signal?




Ladies And Gentlemen, I Give You The Mysterious Island




Maybe All Three Books Are About The Same Island




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Trailer for Jack the Giant Killer

January 27, 2012 – 5:08 pm | Permalink

The first trailer for Jack the Giant Killer has been released.

The film tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants.

Jack the Giant Killer opens in IMAX 3D theaters March 22, 2013.




BMZ Film Page >>

TV spot for Dr. Seuss’ The Lorax

January 27, 2012 – 4:54 pm | Permalink

A new TV spot for Dr. Seuss’ The Lorax has been released.

The animated adventure follows the journey of a boy as he searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.

The film opens in IMAX 3D theaters March 2, 2012.




BMZ Film Page >>

New images from Men in Black 3

January 27, 2012 – 4:39 pm | Permalink

Sony Pictures has released two images from Men in Black 3.

In MEN IN BLACK™ 3, Agents J (Will Smith) and K (Tommy Lee Jones) are back … in time. J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner. But when K’s life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right. J discovers that there are secrets to the universe that K never told him — secrets that will reveal themselves as he teams up with the young Agent K (Josh Brolin) to save his partner, the agency, and the future of humankind.

The film opens in IMAX 3D theaters May 25, 2012.

BMZ Film Page >>

New image from The Amazing Spider-Man

January 27, 2012 – 3:08 pm | Permalink

Sony Pictures has released a new image from The Amazing Spider-Man.

One of the world’s most popular characters is back on the big screen as a new chapter in the Spider-Man legacy is revealed in The Amazing Spider-Man. Focusing on an untold story that tells a different side of the Peter Parker story, the new film stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, with Martin Sheen and Sally Field.

The film opens in IMAX 3D theaters July 3, 2012.

BMZ Film Page >>

DMNS curator Joe Sertich talks Flying Monsters

January 27, 2012 – 2:31 pm | Permalink

Denver Museum of Nature and Science curator, Joe Sertich, talks about the film, Flying Monsters, currently playing at their IMAX theater:

Westword: Tell us a little about the pterosaur. Why isn’t it that well-known?

Joe Sertich: It’s often mistaken as a dinosaur, and they’re closely related, but basically it was the first reptile to begin flying. Insects went into air, and at first, there was nothing there to to eat them. There was all this food flying through the air, and lizards and reptiles were the first to go into the air after them. Pterosaurs are the innovators, the first things to go to the air and take advantage of that different kind of ecosystem. They didn’t have feathers — they actually used wing membranes, like bats have, to fly. Eventually, they became huge. Some were the size of an airplane.

. . .

Why should people come see this movie? Did you like it?

It’s one of the better dinosaur/paleontology movies I’ve seen in a long time. The pterosaurs, especially in flight, are very well done — its a lot like Avatar. But it also mixes in a lot of good information. It really is cool. I think some IMAX movies are kind of hokey. Some of the ones about dinosaurs seem to be made just so they can show one running around and eating another.

Read the full interview: Link >>

New images from Journey 2: The Mysterious Island

January 26, 2012 – 7:15 pm | Permalink

Warner Bros. Pictures has released new images from Journey 2: The Mysterious Island.

17-year-old Sean Anderson receives a coded distress signal from a mysterious island where no island should exist. It’s a place of strange life forms, mountains of gold, deadly volcanoes, and more than one astonishing secret.

The film opens in IMAX 3D theaters February 10, 2012.



(L-r) JOSH HUTCHERSON as Sean and DWAYNE JOHNSON as Hank in New Line Cinema’s family adventure “JOURNEY 2: THE MYSTERIOUS ISLAND,” a Warner Bros. Pictures release. Photo courtesy of New Line Cinema


(L-r) LUIS GUZMAN as Gabato, VANESSA HUDGENS as Kailani, MICHAEL CAINE as Alexander, DWAYNE JOHNSON as Hank, and JOSH HUTCHERSON as Sean in New Line Cinema’s family adventure “JOURNEY 2: THE MYSTERIOUS ISLAND,” a Warner Bros. Pictures release. Photo by Ron Phillips


MICHAEL CAINE as Alexander in New Line Cinema’s family adventure “JOURNEY 2: THE MYSTERIOUS ISLAND,” a Warner Bros. Pictures release. Photo by Ron Phillips


DWAYNE JOHNSON as Hank in New Line Cinema’s family adventure “JOURNEY 2: THE MYSTERIOUS ISLAND,” a Warner Bros. Pictures release. Photo courtesy of New Line Cinema


(L-r) VANESSA HUDGENS as Kailani and JOSH HUTCHERSON as Sean in New Line Cinema’s family adventure “JOURNEY 2: THE MYSTERIOUS ISLAND,” a Warner Bros. Pictures release. Photo by Ron Phillips

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Reuben H. Fleet Science Center’s Heikoff Dome Theater To Premiere Digital GSX(TM) System from Global Immersion With New Daily Public Planetarium Show BLACK HOLES: The Other Side of Infinity; And new exhibition “Black Holes: Space Warps & Time Twists” Both Opening Saturday, February 4!

January 26, 2012 – 5:31 pm | Permalink

Cross the Event Horizon and Plunge into the Center of a Black Hole.
It’s the Closest You’ll Ever Get to Experiencing the Real Thing!

San Diego CA – January 25, 2012 — There’s a place from which nothing escapes, not even light, where time and space literally come to end.  Cross the cosmic threshold into the bizarre realm of a black hole when the Reuben H. Fleet Science Center’s Heikoff Dome Theater debuts its state-of-the-art, giant dome screen digital GSX(TM) system from Global Immersion with a new daily public planetarium show, BLACK HOLES: The Other Side of Infinity, running in conjunction with our new exhibition “Black Holes: Space Warps & Time Twists”; both open Saturday, February 4.  The GSX system will augment the existing IMAX(R) projector in the Eugene Heikoff and Marilyn Jacobs Heikoff Dome Theater with one of the most comprehensive and powerful fulldome experiences available today.

Feel the Pull of BLACK HOLES: The Other Side of Infinity, Narrated by Liam Neeson – State-of-the-Art GSX(TM) Giant Screen System Promises to Transport Audiences To Infinity – and Beyond!

BLACK HOLES: The Other Side of Infinity” (narrated by Academy Award-nominated actor, Liam Neeson) guides you through other-worldly wormholes to experience the creation of the Milky Way Galaxy and the violent death of a star and subsequent birth of a black hole.  High-resolution visualizations of cosmic phenomena are based on data generated by telescope observations and ultra-high end computer simulations with striking, immersive animations of the Big Bang, the formation of the universe, endless seas of dust and gas drawn together by gravity to form the first stars, the collision of two galaxies that cross paths in the vastness of space, and a simulated flight to a super-massive black hole lurking at the center of our own Milky Way.

BLACK HOLES: The Other Side of Infinity provides a groundbreaking, scientifically accurate perspective on black holes and presents the latest compelling evidence that black holes are real.  It gives an overview of the fundamental concepts and terms essential to the understanding black holes:

  • Einstein’s concept of general relativity, and how the gravity of massive objects warps the fabric of space
  • How black holes form from massive stars that die in violent explosions called supernovae
  • That gamma-rays are telltale products of black hole formation, and how a NASA space telescope called Swift is looking for these signs right now
  • The difference between regular, stellar mass black holes, and immense, supermassive black holes, and how each type forms
  • Strong evidence demonstrating there are supermassive black holes at the center of galaxies
  • Research conducted by astronomer Andrea Ghez at the Keck Observatory on Hawaii’s Mauna Kea volcano, which points toward a supermassive black hole at the center of our Milky Way galaxy

Showtimes in February for BLACK HOLES: The Other Side of Infinity in the Heikoff Dome Theater are Monday through Thursday at 3PM, Friday, Saturday and Sunday at 3PM & 6PM.  Tickets, which include admission to the digital Planetarium show and access to all exhibit galleries, are $15.75 for adults and $12.75 for children and seniors.  BLACK HOLES: The Other Side of Infinity will run through the end of March, 2012.  For more information, please call (619) 238-1233 or visit our website at www.rhfleet.org,

Go On a Mission with “Black Holes: Space Warps & Time Twists” -
Out of This World Exhibition Touches Down at the Fleet February 4!

“Black Holes: Space Warps & Time Twists” is an out of this world exhibition exploring what we know, don’t know, and think we know about one of the world’s greatest space mysteries–black holes . These regions in space, sometimes only a few kilometers across, have gravity so powerful that light cannot escape and matter drawn into them is lost forever. Einstein imagined black holes but doubted they could exist in nature. Today evidence suggests they are quite common.  Discover how not to be sucked into a black hole as it opens at the Reuben H. Fleet Science Center on Saturday February 4 for a limited engagement, through April 29, 2012 only!

The exhibit is designed like a space mission; visitors are sent out to search for evidence of real black holes in our universe. Through a number of stations, a visitor will observe the peculiar properties of black holes, their amazing journey from theory to fact, and some common – and entertaining – misconceptions. A variety of interactive components will give visitors an in-depth experience of how black holes behave, shape our universe and influence our lives.

At the start of their journey, visitors will pick up a Black Holes Explorer’s ID Card, which they can use throughout the exhibit to collect discoveries and generate a personalized website that only they can access. The website serves as part personal diary, part observer’s log and will include data recorded by the visitor, including their observations, conclusions, questions, notes and photos they’ve captured of their group and their activities. Helping to guide the visitor through their explorations in the exhibit will be photos and videos of the Youth Team exhibit collaborators and a diverse team of scientists and engineers.

The final portion of the exhibit is truly an adventure for space travelers of all ages. Step into your immersive excursion pod and set your course for an extreme fantasy vacation to the supermassive black hole at the center of our galaxy. The challenge: pilot your pod to an alien spacecraft wreck at the edge of the black hole and dive down to discover its hidden treasure–then live to tell about it.

Prepare to be disoriented as the black hole distorts the once-familiar surrounding universe. Adventurous excursion activities will allow you to experience the black hole’s spectacular effect on its environment, space and time. But keep an eye on the clock – you don’t want to be left behind when your galactic cruise ship, the Singularity, departs. Unexpected emergencies could arise, prompting a fall into the black hole itself!

“Black Holes: Space Warps & Time Twists” is a production of the Harvard-Smithsonian Center for Astrophysics. The Black Holes exhibition was originally funded by a grant from the National Science Foundation with additional major support from the National Aeronautics and Space Administration.

About the Reuben H. Fleet Science Center
The Reuben H. Fleet Science Center (“the Fleet”) is home to Southern California’s only IMAX(R) Dome Theater and 100+ hands-on science exhibits for all ages. Watch immersive giant-screen films in the Heikoff Dome Theater, featuring the world’s first NanoSeam(TM) Dome screen in an IMAX Theater.  The Fleet is the first Giant Dome Theater in the country to share a digital planetarium with an IMAX Dome theater, following the recent installation of a new, state-of-the-art, giant dome screen digital GSX(TM) system from Global Immersion, which will augment the existing IMAX(R) projector in the Heikoff Dome Theater with one of the most comprehensive and powerful fulldome experiences available today.  The digital system will not only enhance our planetarium capabilities but expands the possibilities for sustainable institutional programming that could include evening programming with cultural content of various kinds.    Experience seven galleries of fun, interactive exhibits, including major traveling exhibitions. A hurricane simulator thrills visitors with gusts of wind up to 80 miles per hour. Enjoy sandwiches, salads and healthy treats in Galileo’s Café. Find unique educational toys and games, books, IMAX DVDs and more in the North Star Science Store. Located at 1875 El Prado, two blocks south of the San Diego Zoo on Park Blvd, the Fleet Science Center is a non-profit organization dedicated to furthering the public understanding and enjoyment of science and technology. For information regarding current admission prices, please call (619) 238-1233 or visit our website at www.rhfleet.org.

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BLACK HOLES: The Other Side of Infinity
CONTENT OVERVIEW
They’re one of the most intriguing and mysterious phenomena in the universe, places where time and space are warped to the extreme, and nothing–not even light–can escape the pull of their ferocious gravity. Black holes once defied the imagination. But now, the more scientists look for evidence of them, the more they find, and the more they learn about the role of black holes in the universe. BLACK HOLES: The Other Side of Infinity is a stunning presentation of the latest science about black holes visualized using supercomputing technology. The show whisks audiences to a place humans can never venture–to the center of a black hole.
THE SEARCH FOR BLACK HOLES
Though we can’t see black holes in the traditional sense, we know they exist because of the telltale signs they emit. The Swift space telescope detects gamma-ray bursts that erupt when a black hole is formed after a large star dies in a massive explosion called a supernova. In BLACK HOLES: The Other Side of Infinity, we learn what triggers this chain of events is gravity, a force so powerful at its most extreme that it can actually warp the fabric of the cosmos.
THE FORMATION OF STELLAR MASS BLACK HOLES
BLACK HOLES: The Other Side of Infinity
leads us through the process of black hole formation by focusing on a particular class of stars called red supergiants. Much more massive than our sun, these stars lead short violent lives, truncated by the crush of gravity. The star’s core becomes so dense and massive, it collapses in on itself. The star rocks the cosmos in a powerful supernova explosion. Left in its wake is a black hole, an object a fraction the mass of the original star, only concentrated into a volume millions of times smaller. It is literally a puncture in the fabric of the cosmos. The gravity of the black hole is so intense, resisting it would be like trying to paddle against the current of a river plunging toward a waterfall. Anything that crosses the black hole’s point of no return, or event horizon, cannot escape.
SUPERMASSIVE BLACK HOLES
Though these regular black holes seem fearsome enough, there are others that are even more immense and mind-boggling.  These supermassive black holes are millions to billions of times more massive than our sun. Scientists now believe these supermassive black holes exist in the centers of galaxies. BLACK HOLES: The Other Side of Infinity shows us how these supermassive black holes form, and how astronomers have detected the presence of one at the center of our own Milky Way galaxy by studying the behavior of the stars around it.
TRAVEL INSIDE THE BLACK HOLE AT THE CENTER OF THE MILKY WAY
What if we could take a trip into the supermassive black hole at the center of the Milky Way? It’s a physical impossibility for humans, but for the first time BLACK HOLES: The Other Side of Infinity creates this journey with scientific accuracy, using a course plotted by the observations of astronomers, and the equations of Einstein to take us there. What we find is a bizarre realm, a maelstrom of light, matter and energy unlike anything we’ve ever seen or experienced before.

THE SCIENCE OF BLACK HOLES
WHAT IS A BLACK HOLE?

Most people think of a black hole as a voracious whirlpool in space, sucking down everything around it. But that’s not really true! A black hole is a place where gravity has gotten so strong that the escape velocity is faster than light. But what does that mean, exactly?  Gravity is what keeps us on the Earth, but it can be overcome. If you toss a rock up in the air, it will only go up a little way before the Earth’s gravity slows it and pulls it back down. If you could throw the rock hard enough, it would have enough velocity that the Earth’s gravity could not slow it down enough to stop it. The rock would have enough escape velocity to escape the Earth.  For the Earth, that velocity is about 11 kilometers per second (7 miles/second). But the escape velocity of an object depends on its gravity: an object with more gravity will have a higher escape velocity because the gravity will “hold onto” things more strongly. The Sun has far more gravity than the Earth, so its escape velocity is much higher–more than 600 kilometers/second (380 miles/second). That’s 3,000 times faster than a jet plane! If you take an object and squeeze it down in size, or take an object and pile mass onto it, its gravity (and escape velocity) will go up. At some point, if you keep doing that, you’ll have an object with so much gravity that the escape velocity is faster than light. Since that’s the ultimate speed limit of the universe, anything too close would get trapped forever. No light can escape, and it’s like a bottomless pit: a black hole.
HOW DO BLACK HOLES FORM?
Astronomers think there are many ways to make a black hole. The most common is probably in a supernova, an exploding star. When a star with about 20 times the mass of the sun ends its life, it explodes. The outer part of the star screams outward at high speed, but the inner part of the star, its core, collapses down. If there is enough mass, the gravity of the collapsing core will compress it so much it can become a black hole. When it’s all over, the black hole will have a few times the mass of the sun. This is called a “stellar-mass black hole,” what many astronomers think of as “regular” black hole.  But there are also monsters, called supermassive black holes. These lurk in the centers of galaxies and are huge; they can be millions or even billions of times the mass of the Sun! Their origin is a mystery, but they probably formed at the same time as their parent galaxies. Perhaps each one started as a single huge star that exploded to create a black hole and then accumulated more material (including other black holes), or they may have condensed directly from matter streaming into the center of the newly shaped galaxy. Astronomers think there is a supermassive black hole in the center of every large galaxy, including our own Milky Way.
WHAT HAPPENS WHEN YOU FALL INTO A BLACK HOLE?
If you fall into a black hole, you’re doomed. Sure, once you fall in you can never get back out, but it turns out you’ll probably be dead before you get there.
  The gravity you feel from an object gets stronger the closer you get. As you approach a black hole feet-first, the force of gravity on your feet can be thousands of times stronger than the force on your head! This has the effect of stretching you, pulling you apart like taffy. Tongue-in-cheek, scientists call this “spaghettification.” By the time you reach the black hole, you’ll be a thin stream of matter many miles long. It probably won’t hurt, though: even falling from thousands of kilometers away, the entire gory episode will be over in a few milliseconds. You may not even make it that far. Some black holes greedily gobble down matter, stealing it from an orbiting companion star or, in the case of supermassive black holes, from surrounding gas clouds. As the matter falls in, it piles up into a disk just outside the hole. Orbiting at huge speeds, the matter in this accretion disk gets extremely hot–even reaching millions of degrees. It will spew out radiation, in particularly high-energy X-rays. Long before the black hole could rip you apart you’d be fried by the light. But suppose you somehow manage to survive the trip in. What strange things await you on your way down into forever? Once you pass the point where escape velocity is faster than light, you can’t get out. This region is called the event horizon. That’s because no information from inside can escape, so any event inside is forever beyond our horizon.  As mind-boggling as it may seem, when a black hole forms, the matter that created it actually collapses all the way down to a point. When that happens, our math (and intuition) fail us. It’s as if the matter has disappeared from the universe, but its mass is still there. The black hole itself, inside the event horizon, has zero size, but it still has all the mass of everything that ever fell into it. That’s why its gravity is so ferocious.
WHERE ARE BLACK HOLES LOCATED?
Black holes are everywhere! As far as astronomers can tell, there may be millions of black holes in our Milky Way galaxy alone.  That may sound like a lot, but the nearest one discovered is still 1,600 light-years away–a pretty far distance, about 16 quadrillion kilometers! This is certainly too far away to affect us. The giant black hole in the center of the galaxy is even farther away; at a distance of 30,000 light years, we’re in no danger of being sucked into the vortex.  For a black hole to be dangerous, it would have to be very close, probably less than a light year away. Not only are there no black holes that close, there aren’t any known that will ever get that close. So don’t fret too much over getting spaghettified anytime soon.
IF BLACK HOLES ARE BLACK, HOW CAN WE FIND THEM?
The black hole itself might be invisible, but the ghostly fingers of its gravity leave behind fingerprints. Some stars form in pairs, called binary systems, where the stars orbit each other. Even if one of them becomes a black hole, they may remain in orbit around each other. By carefully observing such a system, astronomers can measure the orbit of the normal star and determine the mass of the black hole. Only a few binary systems have black holes though, so you have to know which binaries to observe. Fortunately, astronomers have discovered a signpost that points the way to black holes: X-rays.  If a black hole is “eating” matter from a companion star, that matters gets very hot and emits X-rays. This is like a signature identifying the source as a black hole. That’s why astronomers want to build a spacecraft equipped with special detectors that can “see” in X-rays. In fact, black holes are so good at emitting X-rays that many thousands can be spotted this way. 
HOW DO BLACK HOLES AFFECT THINGS NEAR THEM?
Are we in danger of being gobbled up by a black hole? Actually, no. We’re pretty safe.  The gravity from a black hole is only dangerous when you are very close to it. Surprisingly, from a large distance, black hole gravity is no different than the gravity from a star with the same mass. The strength of gravity depends on the mass of the object and your distance from it. If the sun were to become a black hole (don’t worry, it’s way too lightweight to ever do that), it would have to collapse down so much that its event horizon would be only 6 kilometers (4 miles) across. From Earth’s distance of 150 million kilometers (93 million miles), we’d feel exactly the same gravity as we did when the sun was a normal star. That’s because the mass didn’t change, and neither did its distance. But as we got up close to the black hole, only a few kilometers away, we’d definitely feel the difference!  So stellar-mass black holes don’t go around tearing up stars and eating everything in sight. Stars, gas, planets and anything else would have to get up close and personal to a black hole to get trapped. But space is big. The odds of that happening are pretty small.  Things are different near a supermassive black hole in the center of a galaxy. Every few hundred thousand years, a star wanders too close to the black hole and gets torn apart. This produces a blast of X-rays that can be visible for decades!  Astronomers found another amazing thing when studying galaxies: the stars in the inner parts of galaxies seem to orbit the galactic center faster when the supermassive black holes there are more massive. This might sound obvious, but in fact the mass of even a monster black hole is only a fraction of a percent of the mass of the innermost part of a galaxy–yet the stars still seem to “know” how massive it is. Astronomers are not sure why this is, but they suspect that the supermassive black hole and the inner regions of the galaxy in which it sits formed at the same time, and somehow affected each other during that time. It’s a mystery that scientists are still trying to figure out.
CAN BLACK HOLES BE USED TO TRAVEL THROUGH SPACETIME?
It’s a science fiction cliché to use black holes to travel through space. Dive into one, the story goes, and you can pop out somewhere else in the universe, having traveled thousands of light years in the blink of an eye.  But that’s fiction. In reality, this probably won’t work. Black holes twist space and time, in a sense punching a hole in the fabric of the universe. There is a theory that if this happens, a black hole can “connect” with another black hole, forming a tunnel in space called a wormhole (because it’s like a tunnel formed by a worm as it eats its way through an apple). If you enter a wormhole, you’ll pop out someplace else far away, not needing to travel through the actual intervening distance.  Unfortunately, scientists also think that the gravity at the mouth of a wormhole would tear anyone to shreds who was foolish enough to try to go in. Also, the energies needed to keep the mouth of the wormhole open are forbiddingly huge. In reality, wormholes probably don’t exist. When we invent interstellar travel, we’ll have to go the long way around.
WHAT CAN WE LEARN FROM BLACK HOLES?
Black holes represent the ultimate endpoints of matter. They twist and rip space and time, pushing our imagination beyond its breaking point. But they also teach us a lot about the way the universe works.  What happens at the very edge of a black hole, where light cannot escape, where space and time swap places, where even Einstein’s General Relativity is stretched to the breaking point? Black holes are a natural laboratory where we can investigate such questions.  Einstein predicted that when a black hole forms, it can create ripples in the fabric of space, like the waves made when you throw a rock in a pond. No one has ever detected these gravity waves, but scientists are building experiments right now to look for them. If they are detected, these waves can teach us much about how gravity works. Some scientists even think gravity waves were made in the Big Bang. If we can detect these waves, it will be like looking back all the way to time zero, the start of everything there is.
AMAZING FACTS ABOUT BLACK HOLES

  • Astronomers think that a black hole is born every day.
  • Inside a black hole, time can run backward or forward.
  • Surprisingly, black holes may not be totally black.
  • Infalling material can get hot enough to glow.
  • Sometimes black holes are so bright they can outshine an entire galaxy.
  • Supermassive black holes can be so luminous we can see them from distances of billions of light years.
  • There may be millions of stellar-mass black holes in our own Milky Way galaxy.
  • There is a supermassive black hole right in the middle of the Milky Way galaxy that tips the cosmic scales at 4 million times the mass of the Sun. But don’t worry–at nearly 30,000 light years away, it’s too far away for us to fall into it.

BLACK HOLES GLOSSARY OF TERMS

  • Accretion disk: A disk of matter that forms when a large amount of material falls into a black hole. The disk is outside the event horizon of the black hole. Friction and other forces heat the disk, which then emits light.
  • Escape velocity: The velocity needed for an object to become essentially free of the gravitational effect of another object.
  • Event horizon: The distance from the center of a black hole where the escape velocity is equal to the speed of light.
  • Gamma-ray burst: A mysterious explosion of high-energy light, some of which is thought to be due to the formation of a black hole.
  • Gravity: The attractive force of an object that depends on its mass, and your distance from it. The more massive an object, or the closer you are to it, the stronger the force of its gravity will be.
  • Mass: The quantity of matter that makes up an object.
  • Supernova: An exploded, or exploding, star.
  • Wormhole: A tunnel-like “shortcut” through space formed when two black holes separated by a large distance gravitationally warp the fabric of space. The existence of wormholes has not yet been proven.

# # #

This material was developed by the NASA Education and Public Outreach Group at Sonoma State University
under the direction of Dr. Lynn Cominsky. Text written by Dr. Phil Plait.
 
BLACK HOLES: The Other Side of Infinity was made possible through funding by the National Science Foundation and NASA, and is a collaboration of the Denver Museum of Nature & Science, the National Center for Supercomputing Applications, Spitz, Inc., and the Swift and GLAST Education and Public Outreach Programs at Sonoma State University. “Black Hole Flight Simulator” by Dr. Andrew J.S. Hamilton, © University of Colorado.

BLACK HOLES: The Other Side of Infinity
Collaborator Biographies
NARRATOR: LIAM NEESON
  continues to take on challenging roles and has become one of the leading international motion-picture actors today. The Irish-born Neeson originally sought a career as a teacher, attending Queens College, Belfast, and majoring in physics, computer science, math and drama. His interest quickly shifted to theater, and in 1976 Neeson began his acting career with the prestigious Lyric Players Theatre in Belfast.  Neeson is recognized for his many memorable roles. He starred in the box-office phenomenon Star Wars: Episode I–The Phantom Menace (1999), playing the role of Qui-Gon Jinn, the Master Jedi Knight who bestows his Force-ful wisdom upon Obi-Wan Kenobi and the young Anakin Skywalker. In addition, Neeson was nominated for an Academy Award for his portrayal of Oskar Schindler in Steven Spielberg’s highly acclaimed Schindler’s List, and has appeared in other recent hits such as Batman Begins, Kinsey and Love Actually.
COMPOSER: RICHARD FIOCCA has a long list of award-winning film and television credits, including scores for PBS, HBO, the BBC, and all the major US networks. Recent work includes theme and scoring for the CBS newsmagazine “48 Hours, the Discovery Channel/Animal Planet’s Into the Lion’s Den, the IMAX feature Wildfire, and music and sound design for the Oscar winning HBO documentary Liberation: A Survivor Remembers. He also composed the score for CBS TV’s groundbreaking special on the World Trade Center attack “9/11.” Recent collaborations with Thomas Lucas include “Mysteries of Deep Space” and “Voyage to the Milky Way,” both for PBS.  Fiocca has also created an extensive oeuvre of concert works: his String Quartet No. 1 in D was performed at the Kennedy Center in Washington, DC, and his Serenade for Clarinet was recently featured at the Contemporary Composer’s Concert at Carnegie Hall. He is currently working on The Fourth Way, an orchestral tone poem based on the life and teachings of the Russian mystic and spiritualist G.I. Gurjieff.  A frequent visitor to Prague as both a conductor and composer, Fiocca recorded the score for BLACK HOLES: The Other Side of Infinity with the Czech Screen Orchestra.
DIRECTOR: THOMAS LUCAS has completed more than 20 major documentary films for NOVA, PBS, the Discovery Channel and other networks.  He specializes in productions that make use of special effects and high-end computer animations. Lucas got his start in 1985 with the production of a documentary for NOVA called “Tornado!” The film became one of the most popular productions in NOVA’s history, reaching an audience of tens of millions. It was also cited by Michael Crichton as the inspiration for the 1996 motion picture Twister. Lucas’ other productions have explored such diverse subject matter as the mysteries of deep space, cannibalism, cyborgs, the 1988 Yellowstone wildfires and hammerhead sharks, among other topics.  BLACK HOLES: The Other Side of Infinity is Lucas’ first planetarium show. Using adaptations of the scientific visualizations from Black Holes, Lucas is directing a NOVA program called “Monster of the Milky Way” that will be broadcast on PBS in 2006.
EXECUTIVE PRODUCER: JOSLYN SCHOEMER was bitten by the astronomy bug in 1990 when attending a lecture about wormholes and black holes. After receiving her undergraduate degree in astrophysics and math, she discovered a passion for sharing the excitement of astronomical discoveries and the exploration of space with the general public through films, exhibits and educational programs. She received a M.S. in museum and field studies, with an emphasis on informal science education.  Schoemer has worked on a variety of space science education projects for informal learning institutions.  These include exhibits and programs at the Smithsonian’s National Air and Space Museum in Washington, DC, including Voyage!, a scale-model solar system permanently installed on the National Mall. She coordinated space projects for the Challenger Center for Space Science Education, the University of Colorado Natural History Museum and the University of Colorado’s Fiske Planetarium. Schoemer joined the Denver Museum of Nature & Science in 1999 as a project manager and worked on developing the Museum’s permanent space science exhibition, Space Odyssey. BLACK HOLES: The Other Side of Infinity is her first all-digital planetarium show.
SCIENCE DIRECTOR: DR. ANDREW J.S. HAMILTON is a fellow of JILA (formerly the Joint Institute for Laboratory Astrophysics), and a professor in the Department of Astrophysical and Planetary Sciences at the University of Colorado at Boulder, where he has worked since 1986.  Though Hamilton’s background is in mathematics and astrophysics and he has published about 60 papers on subjects ranging from supernovas to cosmology, his students helped pique his interest in black holes. Their strong desire to understand relativity led Hamilton to develop his first scientifically accurate general relativistic visualizations of black holes in 1996. With the help of one of his accelerated introductory astronomy classes, Hamilton used those visualizations to create a highly popular show on black holes that debuted at Fiske Planetarium at CU in 1997. This content was adapted for a Web page called “Falling into a Black Hole,” which has received more than a million visitors since it went online in 1997. Hamilton continued to refine his visualization technique with the development of the “Black Hole Flight Simulator” during a yearlong sabbatical with the Denver Museum of Nature & Science in 2001 and 2002. The simulator, an elaborate software program, takes real, computational data about black holes and translates it into the images that are the centerpiece of BLACK HOLES: The Other Side of Infinity.
SCIENCE DIRECTOR: DR. LYNN COMINSKY has been a professor of physics and astronomy at Sonoma State University since 1986, and currently chairs the Departments of Physics and Astronomy, and Chemistry. At SSU, she also directs the education and public outreach (E/PO) group that develops science and mathematics curriculum resources for grades K-12, and is primarily sponsored by NASA. Cominsky is a scientific coinvestigator and leads the education and public outreach team for the Swift Gamma-ray Burst Explorer Mission, launched by NASA on November 20, 2004, and featured in BLACK HOLES: The Other Side of Infinity. Swift is studying gamma-ray bursts, the biggest explosions observed in the universe today. Cominsky serves in a similar capacity on NASA’s Gamma-ray Large Area Space Telescope (GLAST) mission (expected to launch in 2007), and on the European Space Agency’s XXM-Newton mission, which studies X-rays from black holes, neutron stars, supernova remnants and stellar corona.
NCSA PRODUCER AND ART DIRECTOR: DONNA J. COX is a professor of art and design at the University of Illinois at Urbana-Champaign and director of visualization at the National Center for Supercomputing Applications. Her collaborative scientific visualizations are featured in a variety of large-format venues around the world, including the Academy Award-nominated 1997 IMAX film Cosmic Voyage, and on two American Museum of Natural History planetarium shows, Passport to the Universe and The Search for Life: Are We Alone? She and her team also provided the thrilling visuals used in the NOVA programs “Hunt for the Supertwister” and “Runaway Universe” on PBS. Cox’s passion is bringing cultural scientific narratives to a wide range of audiences through innovative and aesthetic presentations of data-driven scientific simulations. In addition to her large-scale productions, Cox has authored many articles on the use of visualization in science, art, and information design.

# # #

Filmmaker Sean Casey talks Tornado Alley

January 26, 2012 – 3:47 pm | Permalink

Denver Westword interviews filmmaker Sean Casey on his latest film, Tornado Alley:

Westword: How did you come up with the idea for Tornado Alley?

Sean Casey: We had been doing an IMAX film called Forces of Nature covering tornadoes. That was back in 1999. In that production I fell in love with the whole environment — going underneath these super storms to get next to these tornadoes. I wanted to get footage we hadn’t already gotten. So there was this idea to build a tank to drive straight into the path of a tornado. A part of me thought, “If you’re going to spend all that time and money chasing storms, it would be nice to have the potential to capture the actual power that exists out there.”

Were you able to successfully capture that power in Tornado Alley?

Yeah. That was footage taken over eight spring seasons. It was expensive to shoot in IMAX, so I’d only pull the trigger on the really severe weather events that I couldn’t resist not filming. These storm structures, the hail and the lightening, with the IMAX format — I think we really captured what its like to be next to these monster storms.

Read the full interview: Link >>

Laser technology may be future for IMAX screens

January 26, 2012 – 3:25 pm | Permalink

The New York Times writes:

For the IMAX Corporation, the future is brighter, larger and in 3-D.

The company is developing prototypes of new laser technologies that will allow for drastically larger and brighter screens by 2013.

“We have purchased the rights to parts of 10,000 patents from Kodak that will throw much more light on screens than you see today,” said Richard L. Gelfond, IMAX’s chief executive, in an interview at Documented@Davos, an event held by Scribd and Mashable. “We have developed cameras that are filming the screen and giving real-time feedback to the projectors to optimize the experience.”

Today’s IMAX screen sizes span 80 to 90 feet. The new technology is expected to widen the screens to 140 feet.

Mr. Gelfond said IMAX engineers had been experimenting with futuristic applications for theatrical, live sports and musical events.

Read the full article: Link >>

UPDATE: More from IMAX CEO Richard Gelfond:

Fox Business: IMAX CEO on Online Piracy, Sales

Mashable: IMAX CEO: 3D Isn’t for All Movies [VIDEO]

Born to Be Wild Blu-ray 3D in stores April 17

January 26, 2012 – 2:25 pm | Permalink

The Blu-ray 3D release of Born to Be Wild will hit stores April 17, 2012. High-Def Digest reports:

Another IMAX documentary is slated for both Blu-ray and Blu-ray 3D this April.

In an early announcement to retailers, Warner Brothers is preparing ‘IMAX: Born to Be Wild’ and ‘IMAX: Born to Be Wild – 3D’ for a a release on April 17.

. . .

The Blu-ray/DVD/Ultraviolet Digital Copy combo packs will feature 1080p video, a DTS-HD Master Audio 5.1 soundtrack, and there doesn’t appear to be any supplements.

Article >>

Reuben H. Fleet Science Center Heikoff Dome Theater to Premiere Digital GSX(TM) System from Global Immersion in February

January 24, 2012 – 6:44 pm | Permalink

Monthly Planetarium Show “The Sky Tonight” Returns February 1; Daily Planetarium Show BLACK HOLES: The Other Side of Infinity Opens February 4 for an Open-Ended Run

State-of-the-Art GSX(TM) Giant Screen System Promises to Transport Audiences to Infinity – and Beyond!

San Diego, CA January 20, 2012 — The Reuben H. Fleet Science Center is delighted to announce that final preparations are underway following installation of a new, state-of-the-art, giant dome screen digital GSX(TM) system from Global Immersion. The GSX system will augment the existing IMAX® projector in the Eugene Heikoff and Marilyn Jacobs Heikoff Dome Theater with one of the most comprehensive and powerful fulldome experiences available today.

The celebration begins early next month: on Wednesday, February 1; our popular “The Sky Tonight” live monthly planetarium show will return; followed by a new daily planetarium show, BLACK HOLES: The Other Side of Infinity, running in conjunction with our new exhibition “Black Holes: Space Warps & Time Twists”; both open on Saturday, February 4.

At the heart of GSX is a combination of technologies called ImageFusion(TM) which combine the power and resolution of four of the latest Sony® 4K resolution cinema grade projectors to offer audiences an entirely digital, truly immersive and pixel-perfect giant screen experience. The Heikoff Dome Theater (76-feet in diameter) provides a 168° (vertical) by 360° (horizontal) field-of-view immersive experience which envelops the audience in the 314 seats in the house.

The GSX system at the Fleet uses four powerful Sony® SRX-T420 digital cinema projectors, expertly adapted by Global Immersion to project a single-displayed image onto the specialized surface of the hemispherical, curved dome screen. Each projector offers 4096 x 2160 pixel resolution that, when combined as the GSX system, converts a total of 84,000 lumens and over 32 million pixels into a full screen image to offer audiences a stunning immersive visual experience.

Each of the four digital cinema projectors is the size of a small refrigerator and produces a significant amount of heat and noise. Combined as one GSX system in the heart of the Heikoff Dome Theater, the projectors are specially mounted inside an insulated steel enclosure, fitted within the existing instrument floor space near Dome center. This enclosure, supported by a custom engineered precision projector mounting solution, has been designed by Global Immersion as part of the GSX system to precisely monitor and maintain the temperature of 20 °C/ 68 °F and provide acoustic insulation.

Also housed inside the projector system is a proprietary combination of GSX components each required to seamlessly integrate the system and deliver the best possible performance. The ImageFusion(TM) for GSX features a range of hardware and software technologies including custom lenses, image processing and optimization tools, geometric laser alignment systems and performance monitoring and diagnostics. A total of eight high performance servers power the GSX system, which delivers lucid, high resolution and superior quality digital video.

Returning on Wednesday, February 1; the fulldome digital GSX system will take the Fleet Science Center’s popular “The Sky Tonight” live planetarium shows to unheard-of levels, featuring stunning visuals and incredibly realistic simulations of cosmic phenomena. As always, a professional astronomer leads backyard astronomers through the universe; presenting the sky in San Diego as it can be seen on the night of the show, twice nightly. Weather and operational requirements permitting, the San Diego County Astronomy Association provides free telescope viewing outdoors on the Prado in Balboa Park.

There’s a place from which nothing escapes, not even light, where time and space literally come to an end. BLACK HOLES: The Other Side of Infinity, our new daily public planetarium show, opens Saturday, February 4. Academy Award®-nominated actor Liam Neeson is our narrator and guide through other-worldly wormholes to experience striking animations of the formation of the early universe, the collision of giant galaxies, the violent death of a star and a simulated flight to a super-massive black hole lurking at the center of our own Milky Way Galaxy.

The new fulldome digital GSX system is an indicator of the evolution of giant screen cinemas and the need to provide improved content to audiences. The Fleet is delighted that their state-of-the-art system will set a new quality benchmark for digital dome video, with the flexibility to present a wide range of media and show experiences. Innovative planetarium shows from all over the world and other high-definition multimedia productions will enable Fleet visitors to enjoy incredibly bright, colorful and high contrast images on the Fleet’s iconic 76-foot tilted dome NanoSeam(TM) screen.

Conventional dome theaters, with their application-specific, hemispherical shape, have mainly been used throughout the world to teach astronomy. The Fleet continues to offer informative and educational sky-based experiences, but now has the flexibility to extend programming to a wider range of formats and subject matters. GSX is designed as an ‘open’ format with the emerging DIGSS / Digital Immersive Giant Screen Specifications in mind; allowing the widest possible programming, including live streamed events and musical experiences.

Digital experiences in the Heikoff Dome Theater will set the stage for an inclusive visitor experience, expanding upon hands-on exhibit content found in the galleries. Creative visualizations can take audiences on a tour of the universe, or probe inside a human cell. The new digital system in the Heikoff Dome Theatre will offer the power and flexibility to reflect and expand on content and concepts found on the exhibit floor and galleries. The Fleet also looks forward to partnering with local scientists, musicians and artists in innovative projects. The installation of the GSX system will advance the non-profit organization’s mission to inspire lifelong learning by furthering the public understanding and enjoyment of science and technology.

The $5 million project, led by Fleet Science Center executive director Dr. Jeffrey Kirsch, has been under development for more than five years; installation of the new seamless Dome screen marked Phase 1 of the project, along with the sound system and the interior refurbishment. Supporting the efforts of the Fleet Science Center, a dedicated team of volunteer expert technical advisors – including Tei Iki, William Bleha, Robert Hardacker, Jack Schmidt and Dave Eccles – carried out a comprehensive search for the highest quality immersive theater system suppliers and established the overall specifications for the system.

The installation of the digital dome signals the completion of the Fleet’s five-year capital campaign, “Creating Possibility, Inspiring Tomorrow.” The major donors for the Heikoff Dome project are Joan and Irwin Jacobs, Weingart-Price Fund, Don and Maryann Lyle, Patricia Carter, Joseph Cohen and Martha Farish, The Hervey Family Fund, The Nierman Family Fund, Mrs. Audrey S. Geisel and the Dr. Seuss Fund, The Helen K. and James S. Copley Foundation, Chuck and Judy Wheatley, Margie Warner and John H. Warner Jr., Eric and Peggy Johnson, and Nancy Robertson and Mark Cookingham.

Looking forward, the Fleet has plans to introduce a digital production studio that will develop educational content in cooperation with multiple institutions, including the San Diego Supercomputer Center, UCSD’s CALIT2, and others. Shows produced will use scientific data collected and interpreted from partner institutions to take the public on astonishing immersive journeys from inside the theater into a human stem cell, an atomic nucleus or virtually any environment imaginable. Moreover, local scientists, students and artists will be invited to use the Fleet Science Center’s digital projection technology to present data and other visualizations on the giant tilted-dome screen.

Our team comments on the project thus far:

Dr Jeffrey W. Kirsch, Ph. D., Executive Director, Reuben H. Fleet Science Center commented “We are delighted to have worked so closely with our technical experts and with Global Immersion on premiering the new digital fulldome GSX system in the Heikoff Dome Theater. It will launch a new era for the Fleet, not only enhancing our planetarium capabilities but expanding the possibilities for sustainable institutional programming that could include evening programming with cultural content of various kinds. We will be the first Giant Dome Theater in the country to share a digital planetarium with an IMAX Dome theater. In a sense it is reminiscent of our beginnings in 1973 when we introduced the world to a tilted dome (analog) planetarium system and IMAX in a shared venue (the original Space Theater).”

Martin Howe: Chief Executive, Global Immersion “Working in close collaboration with the Fleet, Global Immersion has developed GSX specifically to meet and exceed the high standards and performance demands that exist among the world’s giant screen theater network. This project has provided us with a fantastic and highly knowledgeable customer to work and consult with; ultimately ensuring the new GSX(TM) Digital Giant Screen Theater range would exceed expectations and offer giant screen theatres a digital system which fully realizes the demands of such a theater in the modern age. It is hugely exciting for us to have the Fleet as the premiere venue for the showcasing of our new giant screen solution, GSX.”

Alan Caskey: Director for the Americas, Global Immersion “We are delighted to be working with the team at the Fleet on such a unique, energized and ambitious project. This visionary digital giant screen theater follows months of design, innovation and planning – we are very excited by the prospects of a continued partnership with the Fleet, and ultimately the public premiere of the new GSX experience.”

About the Reuben H. Fleet Science Center

With exhibits to touch, IMAX films to experience and planetarium shows to watch, the Reuben H. Fleet Science Center (“the Fleet”) offers an educational, entertaining experience for visitors of all ages. Located at 1875 El Prado, two blocks south of the San Diego Zoo on Park Blvd, the Fleet is a non-profit organization dedicated to furthering the public understanding and enjoyment of science and technology. For information regarding current admission prices, please call (619) 238-1233 or visit our website at www.rhfleet.org

# # #

IMAX is a registered trademark of IMAX® Corporation

GSX and ImageFusion are trademarks of Global Immersion

Source >>

Rescue wins award at Military Film Festival

January 24, 2012 – 6:17 pm | Permalink


(L-R)Jacek Szymanski, Publication and Imagery Coordinator for Navy Public Affairs in Ottawa and Italian General Antonio Bettelli

Giant Screen 3D film, Rescue, took home first prize in the “Current Affairs” category at the 22nd International Military Film Festival “Armed Forces and People” held in Bracciano, Italy in November. Jacek Szymanski, Publication and Imagery Coordinator for Navy Public Affairs in Ottawa, accepted the award for the film. This year’s festival included 50 films from 19 countries.

Rescue plunges audiences into the hard, but inspiring work of saving lives in the face of a natural disaster. Behind the scenes, the film follows a Canadian naval commander, two pilots, and a volunteer rescue technician as they train for action. When an earthquake strikes Haiti, creating one of the biggest humanitarian disasters of the century, the audience is swept along, joining with the massive effort that brings military and civilian responders and hardware from around the world. Rescue is a journey of real-world disaster and emergency response captured (in 3D) with unprecedented scale and impact for the giant screen.

The film is currently playing in IMAX, Giant Screen and other specialty theaters.

Source >>

Flying Swords of Dragon Gate Crosses $10 Million Milestone in IMAX Theatres Across China

January 24, 2012 – 6:09 pm | Permalink

Film Breaks Record for Highest-Grossing Chinese-Produced Movie Released in the IMAX Format

BEIJING, Jan. 24, 2012 /PRNewswire/ — IMAX Corporation (NYSE:IMAX; TSX:IMX) and Bona Film Group (Nasdaq: BONA), a leading film distributor in China, today announced that the 3D martial arts motion picture Flying Swords of Dragon Gate has generated more than $10 million at the box office in 61 digital IMAX® theatres across China since its opening Dec 15th, 2011. The film surpassed the previous record for highest-grossing Chinese-produced movie released in the IMAX format, set by Aftershock, and became the third-highest grossing IMAX DMR® title in China behind Avatar and Transformers: Dark of the Moon.

Flying Swords of Dragon Gate: An IMAX 3D Experience is the first Chinese-language feature production to be released in IMAX 3D. The film reunites renowned director Tsui Hark with his Once Upon a Time in China leading man, Jet Li, and also stars Zhou Xun, Aloys Chen Kun, Kwai Lun-Mei, Li Yuchun and Fan Xiaoxuan.

Flying Swords of Dragon Gate: An IMAX 3D Experience was digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology for presentation in IMAX 3D. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique immersive environment that will make audiences feel as if they are in the movie.

About Flying Swords of Dragon Gate

Chow Wai-On, a Ming Dynasty general played by Jet Li, finds himself at odds with Yu Hua-Tian (Aloys Chen Kun), an evil, power-hungry eunuch. Eventually, these two adversaries cross paths with Lin Yan-Qiu (Zhou Xun) at the titular Dragon Gate Inn, a remote outpost in the desert at the very frontier of the kingdom.

About Bona Film Group Limited

Bona Film Group Limited (Nasdaq: BONA) is a leading film distributor in China, with an integrated business model encompassing film distribution, film production, film exhibition and talent representation.

Bona distributes films to Europe, Greater China, Korea, Southeast Asia and the United States, invests and produces movies in a variety of genres, owns and operates seventeen movie theaters and manages a range of talented and popular Chinese artists.

For more information about Bona, please visit www.bonafilm.cn.

About IMAX China

IMAX (Shanghai) Multimedia Technology Co., Ltd. (IMAX China) is a wholly-owned subsidiary of IMAX Corporation, and is formed under the laws of the People’s Republic of China. IMAX China was established by IMAX Corporation specifically to oversee the expansion of IMAX’s business throughout Greater China.

About IMAX Corporation

IMAX Corporation is one of the world’s leading entertainment and technology companies, specializing in the creation and delivery of premium, awe-inspiring entertainment experiences. With a growing suite of cutting-edge motion picture and sound technologies, and a globally recognized entertainment brand, IMAX is singularly situated at the convergence of the entertainment industry, innovation and the digital media world. The industry’s top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and as such, the IMAX network is among the most important and successful theatrical distribution platforms for major event films around the globe. The Company’s new digital projection and sound systems – combined with a growing blockbuster film slate – are fueling the rapid expansion of the IMAX network in established markets such as North America, Western Europe, and Japan, as well as emerging markets such as China and Russia. IMAX theaters deliver the world’s best cinematic presentations using proprietary IMAX®, IMAX® 3D, and IMAX DMR® (Digital Re-Mastering) technologies. IMAX DMR enables virtually any motion picture to be transformed into the unparalleled image and sound quality of The IMAX Experience®.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of September 30, 2011, there were 583 IMAX theatres (441 commercial multiplex, 23 commercial destination and 119 institutional) operating in 48 countries.

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience® and The IMAX Experience® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies).

This press release contains forward looking statements that are based on IMAX management’s assumptions and existing information and involve certain risks and uncertainties which could cause actual results to differ materially from future results expressed or implied by such forward looking statements. Important factors that could affect these statements include, but are not limited to, general economic, market or business conditions, including the length and severity of the current economic downturn, the opportunities that may be presented to and pursued by IMAX, the performance of IMAX DMR films, conditions in the in-home and out-of home entertainment industries, the signing of theatre system agreements, changes and developments in the commercial exhibition industry, the failure to convert theatre system backlog into revenue, new business initiatives, investments and operations in foreign jurisdictions, foreign currency fluctuations and IMAX’s prior restatements and the related litigation. These factors and other risks and uncertainties are discussed in the Company’s most recent Annual Report on Form 10-K and most recent Quarterly Reports on Form 10-Q.

Source >>

Oscar® Winner Meryl Streep to Narrate New IMAX® 3D Adventure Documentary To The Arctic

January 24, 2012 – 6:02 pm | Permalink

Journey Begins Exclusively In IMAX® Theatres Starting April 20, 2012

LOS ANGELES, Jan. 23, 2012 /PRNewswire/ — IMAX Corporation (NYSE: IMAX; TSX: IMX), MacGillivray Freeman Films, and Warner Bros. Pictures today announced that two-time Academy Award® winner Meryl Streep will narrate To The Arctic 3D. The film will be released exclusively to select IMAX® theatres starting April 20, 2012.

To The Arctic 3D, from two-time Academy Award®-nominated filmmaker Greg MacGillivray (The Living Sea, Dolphins), is the first co-production from Warner Bros. Pictures, MacGillivray Freeman Films and IMAX Corporation, following the companies’ strategic alliance announced late last year.

An extraordinary journey to the top of the world, To The Arctic 3D is the ultimate tale of survival. The film takes audiences on a never-before-experienced journey into the lives of a mother polar bear and her two seven-month-old cubs as they navigate the changing Arctic wilderness they call home. Captivating, adventurous, and intimate footage brings moviegoers up close and personal with this family’s struggle to survive in a frigid environment of melting ice, immense glaciers, spectacular waterfalls, and majestic snow-bound peaks.

To The Arctic was filmed entirely in 15/70mm with spectacular shots designed to take full advantage of the IMAX 3D format, and the story and setting will be made even more powerful by Meryl Streep’s unmatched artistry,” said Greg MacGillivray, President, MacGillivray Freeman Films and director of To The Arctic. “This is MacGillivray Freeman’s third collaboration with Meryl, and we are delighted to pair her prodigious talents with this emotional story of family and hope.”

Dan Fellman, President of Domestic Distribution for Warner Bros. Pictures, stated, “Together with IMAX, we have transported audiences from the reaches of space to the depths of the ocean and, most recently, into the untamed jungle. We are thrilled to partner with IMAX and MacGillivray Freeman Films to tell an important story about a vanishing landscape and the animals that count on it for their survival.”

“The most enduring relationship is that between a mother and child, which is powerfully portrayed through the polar bear family in To The Arctic,” added Greg Foster, Chairman and President, IMAX Filmed Entertainment. “Greg MacGillivray’s engaging storytelling combined with the strength of the Warner Bros. and IMAX partnership will deliver for audiences an inspiring glimpse into how the ties between family prevail above all else.”

Meryl Streep most recently earned a Golden Globe Award for her leading role as Margaret Thatcher in Phyllida Lloyd’s new film “The Iron Lady.” Her numerous honors include an astonishing 16 Academy Award® nominations, including her two Oscar® wins for her work in “Sophie’s Choice” and “Kramer vs. Kramer,” as well as 26 Golden Globe nominations, with additional wins for her performances in “Julie & Julia,” “The Devil Wears Prada,” “Angels in America,” “Adaptation,” “Sophie’s Choice,” “The French Lieutenant’s Woman,” and “Kramer vs. Kramer.” Streep’s many other additional credits include the recent award-winning films “Mamma Mia,” “Doubt,” and “The Hours.” She next stars in the comedy “Great Home Springs,” to be released by later this year.

About To The Arctic 3D

To The Arctic 3D is an IMAX, MacGillivray Freeman Films and Warner Bros. Pictures co-production and a presentation of One World One Ocean (www.oneworldoneocean.org). The film was produced in association with Campion Foundation, Reynders, McVeigh Capital Management, Canadian Museum of Civilization and MacGillivray Freeman Films Educational Foundation. To The Arctic was shot by Greg MacGillivray, Brad Ohlund, Bob Cranston, Howard Hall, Ron Goodman and Jack Tankard, produced by Shaun MacGillivray, written by Stephen Judson and executive produced by Tom Campion, Chat Reynders and Harrison Smith. The film’s companion book, To The Arctic, featuring photography by wildlife photographer Florian Schulz, is now available from Braided River, whose books combine photography and essays to raise awareness about some of the world’s last great wild places (www.welcometothearctic.org). More information about the film can be found at http://www.imax.com/tothearctic.

About MacGillivray Freeman Films

MacGillivray Freeman Films is the world’s foremost independent producer and distributor of giant-screen 70mm films with 35 IMAX films to its credit. Throughout the company’s 40-year history, its films have won numerous international awards including two Academy Award® nominations and three films inducted into the IMAX Hall of Fame. To The Arctic 3D follows in the company’s long tradition of producing films that call attention to the natural world. It is the first film presentation of One World One Ocean, a multi-year, multi-platform campaign established by company founder Greg MacGillivray to change how people see and value the world’s oceans. MacGillivray Freeman’s films are known for their artistry and celebration of science and the natural world.

About IMAX Corporation

IMAX Corporation is one of the world’s leading entertainment and technology companies, specializing in the creation and delivery of premium, awe-inspiring entertainment experiences. With a growing suite of cutting-edge motion picture and sound technologies, and a globally recognized entertainment brand, IMAX is singularly situated at the convergence of the entertainment industry, innovation and the digital media world. The industry’s top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and as such, the IMAX network is among the most important and successful theatrical distribution platforms for major event films around the globe. The Company’s new digital projection and sound systems – combined with a growing blockbuster film slate – are fueling the rapid expansion of the IMAX network in established markets such as North America, Western Europe, and Japan, as well as emerging markets such as China and Russia. IMAX theaters deliver the world’s best cinematic presentations using proprietary IMAX®, IMAX 3D®, and IMAX DMR® (Digital Re-Mastering) technologies. IMAX DMR enables virtually any motion picture to be transformed into the unparalleled image and sound quality of The IMAX Experience®.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of September 30, 2011, there were 583 IMAX theatres (441 commercial multiplex, 23 commercial destination and 119 institutional) operating in 48 countries.

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience® and The IMAX Experience® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies).

This press release contains forward looking statements that are based on management’s assumptions and existing information and involve certain risks and uncertainties which could cause actual results to differ materially from future results expressed or implied by such forward looking statements. Important factors that could affect these statements include, but are not limited to, general economic, market or business conditions, including the length and severity of the current economic downturn, the opportunities that may be presented to and pursued by the Company, competitive actions by other companies, the performance of IMAX DMR films, conditions in the in-home and out-of home entertainment industries, the signing of theatre system agreements, changes in law or regulations, conditions, changes and developments in the commercial exhibition industry, the failure to convert theatre system backlog into revenue, new business initiatives, investments and operations in foreign jurisdictions and any future international expansion, foreign currency fluctuations and the Company’s prior restatements and the related litigation. These factors and other risks and uncertainties are discussed in the Company’s most recent Annual Report on Form 10-K and most recent Quarterly Reports on Form 10-Q.

Source >>

Patton Oswalt Returns to Host The VES Awards

January 24, 2012 – 5:54 pm | Permalink

Los Angeles, January 24, 2012 — The Visual Effects Society (VES) is pleased to announce that Patton Oswalt (Young Adult, Ratatouille) will host the 10th Annual VES Awards at the Beverly Hilton Hotel on Tuesday, February 7, 2012. This will be the popular comedian and actor’s third appearance at the VES Awards, which recognize the most outstanding visual effects work of the year and honor the artists who created it.

“These are the people who build worlds. Hell yeah, do I want to see ‘em get their own night,” said Oswalt.

“Patton was a presenter at our 6th Annual Awards show in 2008 and he brought the house down, so we were thrilled when he came on board to host the event last year,” said Eric Roth, Executive Director of the Visual Effects Society. “He has often said that he feels like one of us. While he deeply appreciates the critical role visual effects plays in creating entertainment, he can also get a thousand people in tuxedos to laugh their butts off, so that truly makes him one of our stars.”

As previously announced, Stan Lee will be honored with the VES 2012 Lifetime Achievement Award and Douglas Trumbull with the Georges Méliès Award. The 10th Annual VES Awards will take place on Tuesday, February 7, 2012 at the Beverly Hilton Hotel and will air exclusively on ReelzChannel.

For more information on the VES Awards, sponsorship and tickets, please visit www.visualeffectssociety.com.

About the VES

The VES is a professional, honorary society, dedicated to advancing the arts, sciences, and applications of visual effects and to upholding the highest uniform standards and procedures for the visual effects profession. The VES is the entertainment industry’s only official organization representing the extended community of visual effects practitioners including supervisors, artists, producers, technology developers, educators and studio executives.

Its over 2,500 global members contribute to all areas of entertainment from film, animation, television and commercials to music videos, games and new media. VES strives to enrich and educate its members and the entertainment community at large through many domestic and international events, screenings and programs. Visual effects professionals constitute a vital creative force in content creation and are literally shaping the future of entertainment.

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Co.Design takes a look at Space Junk 3D

January 18, 2012 – 4:27 pm | Permalink

Co.Design has this feature on new film, Space Junk 3D, now playing in IMAX, Giant Screen and other specialty theaters:

Our civilization relies on the fleet of satellites orbiting the planet, for everything from TV broadcasts to credit card payments. There’s a lot of them–974 in operation at last count. We’ve launched thousands more and many of those are still in orbit. An upcoming movie, Space Junk 3-D, attempts to give viewers a visceral appreciation for the overwhelming amount of trash that’s orbiting the Earth.

Read the full article: Link >>

D3D Announces Giant Screen Digital 3D Conversion In Davenport, IA

January 18, 2012 – 4:21 pm | Permalink

Evanston, IL (January 17, 2012) — D3D Cinema is pleased to announce that its latest giant screen digital 3D theater conversion is underway at the Putnam Museum in Davenport, Iowa.  Twin state-of-the-art Barco 4K projectors and industry-leading Dolby Digital 3D technology will replace 15/70 film projectors as the Putnam, which plays host to the largest screen in the Quad Cities area, becomes the newest member of an ever-growing list of theaters to make the switch to digital in partnership with D3D Cinema.

“We’re very pleased that 4K digital technology is now available making it possible for the Putnam to be  one of the first giant screen theaters in the country to take advantage of this advanced technology,” said Kim Findlay, Putnam President.  “We have always been devoted to providing our visitors with the highest quality movie experience anywhere.  4K digital technology allows us to maintain our quality standards for the giant screen along with giving us more flexible programming opportunities.  The movie and documentary industry is changing rapidly, and to continue to succeed in giving our visitors the most dynamic experience in the current climate, we are excited to go digital.”

“We are thrilled to be partnering with the Putnam Museum in Davenport,” said Derek Threinen, Vice President of D3D Cinema.  “It’s never been easier to convert to digital 3D and it’s great to see more museum theaters like the Putnam take advantage of the superior picture and sound quality digital offers.  Quite simply, we’re delighted to be able to help the Putnam Museum and its visitors experience this new era of immersive cinema.”

The theater will re-open on February 3 with newly released film The Last Reef: Cities Beneath the Sea, an underwater documentary filmed using the latest digital technology that will showcase the enhanced quality the new system offers.

About D3D Cinema

D3D Cinema (D3D) offers complete digital 3D cinema solutions and services to museum and attraction industry clients worldwide, providing a unique partnership approach to cinema design and 3D content production built around four core capabilities – theater design and installation; touring exhibition theaters; an award-winning library of 3D film content; and custom signature film production.

http://www.d3dcinema.com

About the Putnam Museum

The Putnam Museum is a museum of history and natural science in Davenport, Iowa.  The museum was founded in 1867, and was one of the first museums west of the Mississippi River.  It houses around 160,000 historical artifacts and specimens.  The theater, which opened in 2002, has one of the largest movie screens in the state of Iowa.

http://www.putnam.org

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Inspiring IMAX® 3D Documentary Born to be Wild 3D Crosses $20 Million Worldwide

January 18, 2012 – 3:47 pm | Permalink

Award-winning film is fifth IMAX® 3D original documentary from Warner Bros./IMAX partnership

LOS ANGELES, Jan. 18, 2012 /PRNewswire/ — IMAX Corporation (NYSE: IMAX; TSX: IMX) and Warner Bros. Pictures today announced that the documentary adventure Born to be Wild 3D crossed the $20 million threshold at the global box office, exclusively in IMAX® theatres. Since its release on April 8, 2011, the film has generated an impressive $15.5 million domestically and $5.5 million internationally from 297 theatres. Born to be Wild 3D is scheduled to open in additional theatres worldwide in the coming months.

Dan Fellman, President of Domestic Distribution for Warner Bros. Pictures stated, “Born to be Wild 3D is a movie that is not only entertaining but also has an important message for our times. Through the efforts of two remarkable women on opposite ends of the world, it shows how people really can make a difference. We congratulate our partners at IMAX and everyone behind the film on this success.”

Born to be Wild 3D has been embraced by critics and moviegoers alike and we are thrilled that this ideal example of the IMAX documentary film has achieved this milestone,” said Greg Foster, Chairman and President, IMAX Filmed Entertainment. “Drew Fellman, who wrote and produced the film, led a talented filmmaking team in crafting a wonderfully touching and uplifting story that we know will continue to engage IMAX audiences around the world for many years to come.”

Born to be Wild 3D was captured using IMAX 3D cameras and has been digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology for presentation in IMAX 3D and 2D. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique immersive environment that will make audiences feel as if they are in the movie.

The film was recognized as one of the top documentaries of 2011 by the National Board of Review and was honored with all the top awards at the 2011 GSCA (Giant Screen Cinema Association) Achievement Awards: Best Film Produced for the Giant Screen, Best Film for Lifelong Learning, Best Original Score and Best Cinematography.

About Born to be Wild 3D

Narrated by Academy-Award® winner Morgan Freeman, Born to be Wild 3D is an inspiring story of love, dedication and the remarkable bond between humans and animals. This film documents orphaned orangutans and elephants and the extraordinary people who rescue and raise them—saving endangered species one life at a time. Born to be Wild 3D is a heartwarming adventure transporting moviegoers into the lush rainforests of Borneo with world-renowned primatologist Dr. Birute Mary Galdikas, and across the rugged Kenyan savannah with celebrated elephant authority Dame Daphne M. Sheldrick, as they and their teams rescue, rehabilitate and return these incredible animals back to the wild.

Born to be Wild 3D is a presentation of Warner Bros. Pictures and IMAX Filmed Entertainment. The film is directed by David Lickley and written and produced by Drew Fellman. The behind-the-scenes team includes supervising line producer Diane Roberts, associate producer Jill Ferguson, director of photography David Douglas and editor Beth Spiegel. Music is composed by Mark Mothersbaugh. Born to be Wild 3D opened exclusively in IMAX theatres starting April 8, 2011.

The film has been rated G and has a run time of 40 minutes.

Born to be Wild 3D has received the following seals of approval:

Truly Moving Picture Award
The Dove Foundation

About IMAX Corporation

IMAX Corporation is one of the world’s leading entertainment and technology companies, specializing in the creation and delivery of premium, awe-inspiring entertainment experiences. With a growing suite of cutting-edge motion picture and sound technologies, and a globally recognized entertainment brand, IMAX is singularly situated at the convergence of the entertainment industry, innovation and the digital media world. The industry’s top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and as such, the IMAX network is among the most important and successful theatrical distribution platforms for major event films around the globe. The Company’s new digital projection and sound systems – combined with a growing blockbuster film slate – are fueling the rapid expansion of the IMAX network in established markets such as North America, Western Europe, and Japan, as well as emerging markets such as China and Russia. IMAX theaters deliver the world’s best cinematic presentations using proprietary IMAX®, IMAX 3D®, and IMAX DMR® (Digital Re-Mastering) technologies. IMAX DMR enables virtually any motion picture to be transformed into the unparalleled image and sound quality of The IMAX Experience®.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of September 30, 2011, there were 583 IMAX theatres (441 commercial multiplex, 23 commercial destination and 119 institutional) operating in 48 countries.

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience® and The IMAX Experience® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies).

This press release contains forward looking statements that are based on IMAX management’s assumptions and existing information and involve certain risks and uncertainties which could cause actual results to differ materially from future results expressed or implied by such forward looking statements. Important factors that could affect these statements include, but are not limited to, general economic, market or business conditions, including the length and severity of the current economic downturn, the opportunities that may be presented to and pursued by IMAX, the performance of IMAX DMR films, conditions in the in-home and out-of home entertainment industries, the signing of theatre system agreements, changes and developments in the commercial exhibition industry, the failure to convert theatre system backlog into revenue, new business initiatives, investments and operations in foreign jurisdictions, foreign currency fluctuations and IMAX’s prior restatements and the related litigation. These factors and other risks and uncertainties are discussed in the Company’s most recent Annual Report on Form 10-K and most recent Quarterly Reports on Form 10-Q.

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IMAX Restructures Theatre Licensing Agreement with RACIMEC to Accelerate Growth in South America

January 17, 2012 – 4:27 pm | Permalink

Expects New, Flexible Deal Structures to Lead to Faster Penetration of South America
IMAX Sees Significant Growth Potential; 150 South American Theatre Zones Identified

IMAX Corporation (NYSE: IMAX; TSX: IMX) today announced that it has restructured its master license agreement in South America with Giencourt Investments S.A., a member of the RACIMEC International Group (RACIMEC), in order to both play a more active role in the market and accelerate the roll-out of IMAX ® theatres across South America.

Today’s agreement allows for IMAX to be more involved in the market, in terms of systems and sales support as well as logistical and administrative functions, and for RACIMEC to offer multiple deal structures to prospective partners – including revenue sharing arrangements that have been very successful for IMAX in other markets. The parties agree that these adjustments to the original agreement should allow for more favorable terms to be offered to prospective exhibitor partners and believe that, as a result, the IMAX theatre network will expand in this strategic and underpenetrated region of the world at a faster rate than was previously possible. Additional terms of the restructured agreement were not disclosed.

“We expect these important changes in our agreement to accelerate our growth in South America,” said Richard L. Gelfond, CEO, IMAX Corporation. “Not only have major international exhibitors expressed interest in expanding with us in this region of the world, but real estate developers have expressed a desire for the IMAX brand to anchor their development projects. We believe that our restructured agreement with our long-term partner, Miguel Sfeir and RACIMEC, will provide a ‘win-win’ scenario for each of us by enabling a faster penetration of this important growth market.”

“This new structure should enable IMAX and RACIMEC to create more opportunities in the long run and accelerate market growth in the short run,” said Miguel Sfeir, President of RACIMEC Corporation. “I continue to have numerous promising leads throughout the region and this restructured agreement allows me to turn those into concrete results.”

Analysis of the market suggests that 150 IMAX theatres could exist across South America over time, up from 15 IMAX commercial theatres today. IMAX theatres in markets like Sao Paulo, Curitiba and Rio de Janeiro, Brazil are strong performers, having generated gross box office per screen of approximately $1.5 million, on average, in 2011. IMAX expects to open theatres from existing backlog through the RACIMEC relationship in 2012, in markets throughout Brazil and Argentina and also expects to open new theatres in 2012 as part of the new agreement.

About RACIMEC International Group

Founded in Rio de Janeiro, Brazil, in August 1966, as one of the most prominent entertainment and public gaming companies in the world, developing gaming applications such as Lotto and Soccer Lottery, for various Latin American countries including Brazil, Chile, Argentina, Venezuela, Colombia and Paraguay. The RACIMEC International Group has reached outstanding success in various countries with its starring game KINO, a pre-printed ticket game with a real time live TV show, crossing over the 4 billion dollar barrier during the last decade. RACIMEC has been identified by the Lottery market as the creator of new standards in Game operation and safety in the different countries where it operates.

About IMAX Corporation

IMAX Corporation is one of the world’s leading entertainment and technology companies, specializing in the creation and delivery of premium, awe-inspiring entertainment experiences. With a growing suite of cutting-edge motion picture and sound technologies, and a globally recognized entertainment brand, IMAX is singularly situated at the convergence of the entertainment industry, innovation and the digital media world. The industry’s top filmmakers and studios are utilizing IMAX theatres to connect with audiences in extraordinary ways, and as such, the IMAX network is among the most important and successful theatrical distribution platforms for major event films around the globe. The Company’s new digital projection and sound systems – combined with a growing blockbuster film slate – are fueling the rapid expansion of the IMAX network in established markets such as North America, Western Europe, and Japan, as well as emerging markets such as China and Russia. IMAX theaters deliver the world’s best cinematic presentations using proprietary IMAX®, IMAX 3D®, and IMAX DMR® (Digital Re-Mastering) technologies. IMAX DMR enables virtually any motion picture to be transformed into the unparalleled image and sound quality of The IMAX Experience®.

IMAX is headquartered in New York, Toronto and Los Angeles, with offices in London, Tokyo, Shanghai and Beijing. As of September 30, 2011, there were 583 IMAX theatres (441 commercial multiplex, 23 commercial destination and 119 institutional) operating in 48 countries.

IMAX®, IMAX® 3D, IMAX DMR®, Experience It In IMAX®, An IMAX 3D Experience® and The IMAX Experience® are trademarks of IMAX Corporation. More information about the Company can be found at www.imax.com. You may also connect with IMAX on Facebook (www.facebook.com/imax), Twitter (www.twitter.com/imax) and YouTube (www.youtube.com/imaxmovies).

This press release contains forward looking statements that are based on management’s assumptions and existing information and involve certain risks and uncertainties which could cause actual results to differ materially from future results expressed or implied by such forward looking statements. Important factors that could affect these statements include, but are not limited to, general economic, market or business conditions, including the length and severity of the current economic downturn, the opportunities that may be presented to and pursued by the Company, competitive actions by other companies, the performance of IMAX DMR films, conditions in the in-home and out-of home entertainment industries, the signing of theatre system agreements, changes in law or regulations, conditions, changes and developments in the commercial exhibition industry, the failure to convert theatre system backlog into revenue, new business initiatives, investments and operations in foreign jurisdictions and any future international expansion, foreign currency fluctuations and the Company’s prior restatements and the related litigation. These factors and other risks and uncertainties are discussed in the Company’s most recent Annual Report on Form 10-K and most recent Quarterly Reports on Form 10-Q.

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